THE METALS // Two years of CIN

Two years into CIN, The Metals arrives as a natural continuation, not a shift, but a confirmation. A way of marking time through form, through material. From the beginning, the brand has been built with patience and with the belief in things that are meant to last. This collection extends that intention, grounding it in an object that carries both meaning and permanence. 

At the center of CIN, there has always been the eye. Present across garments, subtly embedded, it exists as a quiet constant, a symbol of vision, intuition and protection. It does not impose itself, but it remains. With The Metals, this symbol takes on a new dimension. It moves from surface to object, from something observed to something worn. It becomes closer, more personal. A fragment of the brand, carried daily.

"The Ayn Ring" embodies this transition. Its name comes from the Arabic ʿayn, meaning eye. Reinterpreted through a Latin lens, it becomes both familiar and distant, rooted yet transformed. The ring itself reflects this duality: continuous, closed, without beginning or end. 

Each piece is made to order and entirely handcrafted in Paris, in collaboration with the savoir-faire of Cazalens. The choice of material is direct, 100% raw solid silver, without coating or alteration. A material chosen for its honesty, its ability to evolve, to carry time rather than resist it. The surface will mark, shift, and develop with wear, becoming specific to the person who carries it.  

Handcrafted one by one, no two pieces are identical. Subtle variations, slight irregularities, and the visible trace of the hand are not corrected but preserved. They define the object as much as its form. In this, each ring becomes singular. 

The Metals is, ultimately, a commitment. To process and continuity. Two years in, the vision remains clear. What has been built is not fixed, but it holds. And from here, it continues. 

Cindy